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History of mediaeval art (1887)

Reber, Franz, Clarke, Joseph Thacher, d. 1920, tr · New York : Harper & Brothers · leaf 711

An illustration from History of mediaeval art, 1887, leaf 711
whoworked late in the fifteenth cen-tury.Archaism is more noticeable in the provincial works, as, for ex-ample, in those of the two masters of Mutina, Barnaba and Tom-maso {Fig. 409), not to speak of the paintings of the early schoolsof Venice and Murano, where Byzantinism was conscious and… … Fig. 409.—Madonna, by Tommaso da Mutina.Belvedere, Vienna. ITALY. no technical dualism. The delicacy of his nu.n and their coloring, clear and cheerful, though somewh times too variegated, distinctly betray his preference for this branch of painting, and even for miniature; still, in composition…

Art, Medieval

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