Inside Out Library · Explore

An history of the origin and establishment of Gothic architecture : comprehending also an account, from his own writings, of Caesar Caesarianus, the first professed commentator on Vitruvius, and of his translation of that author : an investigation of the principles and proportions of that style of architecture called the Gothic : and an inquiry into the mode of painting upon and staining glass, as practiced in the ecclesiastical structures of the Middle Ages (1813)

Hawkins, John Sidney, 1758-1842 · London : Printed by S. Gosnell : Sold by J. Taylor · leaf 286

An illustration from An history of the origin and establishment of Gothic architecture : comprehending also an account, from his own writings, of Caesar Caesarianus, the first professed commentator on Vitruvius, and of his translation of that author : an investigation of the principles and proportions of that style of architecture called the Gothic : and an inquiry into the mode of painting upon and staining glass, as practiced in the ecclesiastical structures of the Middle Ages, 1813, leaf 286
ugny, 144. Windowaand doors, proportions of, 219. fVirmbolde, one of the workmen who rebuilt tlie church of St.Lucien at Beauvais in 1078, 107. IVood. Almost all the monasteries and churches in France were ofwood till the year 1000, 73, n. This fact how far true, ibid. n. IVren, Sir Chr. his… … V )/A/v- r/ //n //rr// f /////r// ^> ///////, lonJtm■ruhh.dionn J.Tinlar-,MahHolhom.Fehj.iSis. PLATE.

Cesariano, Cesare, 1475-1543 · Architecture, Gothic · Church architecture · Glass painting and staining

Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.

More pictures from An history of the origin and establishment of Gothic architecture : comprehending also an account, from his own writings, of Caesar Caesarianus, the first professed commentator on Vitruvius, and of his translation of that author : an investigation of the principles and proportions of that style of architecture called the Gothic : and an inquiry into the mode of painting upon and staining glass, as practiced in the ecclesiastical structures of the Middle Ages

More like this