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A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century (1871)

Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London, J. Murray · leaf 116

An illustration from A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century, 1871, leaf 116
use, right, birds at libertyand in a cage; and a peacock.There are figures in the distance,left. BeneaUi, three escutcheons(wood). ^ London, Dudley House, wood,figures under life-size. This pic-ture Avas originally in SanDomenicoof Fermo. (Ricci ub sup. Mem. I.214.) S Peter receiA^es the keysfrom… … Chap. V. CARLO CRIVELLI. 91 cellent feeling and a fair knowledge of anatomy.^ TheBeato Ferretti of the same collection is most careful^ andshines in a bright enamel impasto.^ No gallery hasbetter examples of Crivelli than that of London. Next tothese in importance are the numerous specimens…

Painting · Painting, Gothic · Painting, Renaissance

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