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A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century (1871)

Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London, J. Murray · leaf 164

An illustration from A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century, 1871, leaf 164
ick and substantialtexture. The simpler elements of linear perspectiveperfectly applied by a man who was familiar with itsrules, would alone have done much to realize the effectsof distance and depth; but these effects are greatlyenhanced by play of atmosphere; and the numerousvarieties of tone… … Chap. VII. GENTILE AND GIOVANNI BELLINI. 133 after it had been lost in the water; and recei^es anadventitious interest from the introduction of CatherineCornara^ ex-queen of Cyprus, with her suite amongstthe spectators lining the sides of the canal. ^ Gentilenow solves a new and more difficult…

Painting · Painting, Gothic · Painting, Renaissance

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