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A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century (1871)

Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London, J. Murray · leaf 323

An illustration from A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century, 1871, leaf 323
e executedon his own account the annunciation admired by Titianat Ceneda, his style already displayed an habitual studyof these men. Yet it was of little avail after all that * Principe Giovanelli, Venice,wood, oil; kneepiece, figures one-fourth life-size, half-lengths. 2 See passim in notes to… … ,...:-Mi@ :^.,^r , ^. Chap. X. PREVITALI. 275 these influences should be at work around him. Theeffect which they produced was not essential, and weperceive in the annunciation that the cast of An-dreas figures, that is, their slenderness and bendinggrace, their rounded heads, and piled drapery…

Painting · Painting, Gothic · Painting, Renaissance

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