A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century (1871)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London, J. Murray · leaf 78
ow that Bartolommeocannot be the author of any jior-tion of No. 1143. It is possiblethat Luigi may have done the pieceunder notice as an aid in Bartol-lommeos atelier, and that theDescent of the Holy Spirit shouldbe partly by their joint assistantJacopo da Valentia, whose stylepartook successively… … (-„.vp. IV^ I.UKJl VIVAKMNI. o5 its outline. Wc recognize in the Saviour, on the other hand,an imitation of earlier IMuranese models, or of the antique,with something of a newer life and more flexible forms; wepardon tlio contrast between the affectation of the infantspose and the tender quietness…
