How to study pictures : by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods (1910)
Caffin, Charles Henry, 1854-1918 · New York : The Century Co. · leaf 404
ght. Now, while the composition of each picture is regu-lated with deliberate artifice, Fortunj^s is so tactfulthat the scene appears real and impresses us at once asa single harmonious whole, in comparison with whichPilotys seems artificial and confused and broken up.Perhaps the confusion is… … PILOTY-FORTUNY sented. If so, in order to attain his object, he has sacri-ficed the iinitj^ of his picture, which, as it now stands, isreally a combination of several compositions,—the groupwith the bear in the front; the group of women ; theemperors group, and that of the senators at the…
Painting
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