How to study pictures by means of a series of comparisons of the painters' motives and methods .. (1906)
Caffin, Charles Henry, 1854-1918 · New York, Century · leaf 37
the actual appearance of objects thathe sought to render when, in due time, he learned to usethe brush. If you turn again to a comparison of his Madonnawith that of Cimabue, j^ou will see what strides he hadalready made toward natural truth. Observe how the*figure of the Virgin is made real to us,… … MADONNA ENTHRONED CIMABUE RUCELLAI CHAPEL, SANTA MARIA NOVELLA, FLORENCE
Painting · Appreciation
Internet Archive · New York Public Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Illustrated catalogue of a highly important collection of ancient paintings of the Italian, Dutch, Spanish, Flemish and French schools, including an imposing gathering of Italian and Flemish primitives [electronic resource] : to be sold at unrestricted public sale by direction of the F. Kleinberger Galleries, for the purpose of adjusting the business interests of their former partnership and the present incorporation, in the grand ballroom of the Plaza Hotel, Fifth Avenue, 58th to 59th Street, on the evening herein stated (1918)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009872740-26-5.webp)
