Burn, Robert Scott · London : Ingram, Cooke, and Co. · leaf 118
fig. 76. PERSPECTIVE DRAWING. 109 Every landscape may be divided with greater or less precision intothree parts, the distance, the middle-picture, and the foreground. As theeffect of distance is to subdue both lights and shadows, the first of these … fig. 77. seldom plays a conspicuous part in the general arrangement of the chiaro-scuro ; although the deep blue of a distant mountain in full shadow is
Drawing · Wood-engraving
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
