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An introduction to perspective, drawing, and painting : in a series of pleasing and familiar dialogues between the author's children ; illustrated by appropriate plates and diagrams, and a sufficiency of practical geometry, and a compendium of genuine instruction, comprising a progressive and complete body of information carefully adapted for the instruction of females, and suited equally to the simplicity of youth and to mental maturity (1820)

Hayter, Charles, 1761-1835 · London : Black, Kingsbury, Parbury, and Allen · leaf 137

An illustration from An introduction to perspective, drawing, and painting : in a series of pleasing and familiar dialogues between the author's children ; illustrated by appropriate plates and diagrams, and a sufficiency of practical geometry, and a compendium of genuine instruction, comprising a progressive and complete body of information carefully adapted for the instruction of females, and suited equally to the simplicity of youth and to mental maturity, 1820, leaf 137
e XII. but I doubt being able toproceed to the additional matter. Ann. Then, sister, do so much ; copy the plan entirely,and draw the plain walls and the spaces for the doors,in the elevation; and ink them in, and I will try myskill with the doors and circles, if brother will per-mit me. George. I… … 85 Ptactically explained. John, What are these half circles for? and why arethey put in perspective by a diiFerent method fromPlate IX. George, The different manner of putting them in per-spective, is only to shew you another method of pro-ducing the effect, and Ihope sister Ann will answeryour…

Perspective · Drawing · Painting

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