Light and shade with chapters on charcoal, pencil, and brush drawing : a manual for teachers and students (1901)
Cross, Anson K. (Anson Kent), 1862-1944, Ginn and Company, publisher, Athenaeum Press (Cambridge, Mass.), printer · Boston, U.S.A., and London : Ginn & Company, Publishers : The Athenaeum Press · leaf 124
Fig. 51. PENCIL DRAWING. 117 between the lines, and in this work the strokes should generallyadjoin each other so that the effect of separate lines is not given. The most important point in all work introducing light and shadeeffects is that outlines should be avoided whenever this is possible.When… … FiG. 52. lines should not be uniform in any way, but should be varied inwidth, not continuous, and not perfectly straight or regular, evenwhen they represent perfect type forms. See Free-Hand Drawing,Chap. I. Various methods. — A pencil sketch may give simply a sugges-tion of the form by means of…
Shades and shadows in art · Drawing · Art · Chiaroscuro · Light in art
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