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Light and shade with chapters on charcoal, pencil, and brush drawing : a manual for teachers and students (1901)

Cross, Anson K. (Anson Kent), 1862-1944, Ginn and Company, publisher, Athenaeum Press (Cambridge, Mass.), printer · Boston, U.S.A., and London : Ginn & Company, Publishers : The Athenaeum Press · leaf 33

An illustration from Light and shade with chapters on charcoal, pencil, and brush drawing : a manual for teachers and students, 1901, leaf 33
pon the cone towards its vertex is wellshown, and also the fact that the strongest darks are generally on theparts nearest the eye. Strongest lights on the contours. — The strongest lights are onor near the contours of the objects. On the pencil the glitter lightm at the contour, and makes the… … Fig. 12. From Photograph. CHIARO-OSCURA, OR LIGHT AND SHADE. 23 and producing about the same effect as would be obtained in a roomhaving several windows whose curtains are drawn. Delicate light and shade contrasts. —We find there are severalfaint, soft shadows and no strong contrasts. In this…

Shades and shadows in art · Drawing · Art · Chiaroscuro · Light in art

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