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Light and shade with chapters on charcoal, pencil, and brush drawing : a manual for teachers and students (1901)

Cross, Anson K. (Anson Kent), 1862-1944, Ginn and Company, publisher, Athenaeum Press (Cambridge, Mass.), printer · Boston, U.S.A., and London : Ginn & Company, Publishers : The Athenaeum Press · leaf 50

An illustration from Light and shade with chapters on charcoal, pencil, and brush drawing : a manual for teachers and students, 1901, leaf 50
lost in the,shadow thrown upon it by the plinth. The con-tour should not be represented when it is notseen, for much of the charm of the best artisticwork is due to the subordination of detail, anddisappearance in part of the contours, due tothe shadow and cast shadows. Must be carefully drawn.… … 40 LIGHT AND SHADE. \\ is of no less importance. The drawing of the masses of dark whichare bounded by the dividing lines of light and shade, and the out-lines of the cast shadows will often do more to suggest the objectthan a correct contour; but if these parts are correctly drawn, thecontours…

Shades and shadows in art · Drawing · Art · Chiaroscuro · Light in art

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