Crane, Walter, 1845-1915 · London : G. Bell · leaf 278
o constantly a necessity in decora-tive work. One may use a black on a white, abrown, or a gold outline (as in cloisonne), thenature of the outline being generally determinedby the nature of the work. In stained glass theoutline must be black, and this black is of thegreatest value in enhancing by… … (l) PRINCIPLE OF THE EFFECT OF THE BLENDING ORBLURRING OF COLOURS AT THEIR EDGES; (2)USE OF BLACK AND WHITE OUTLINE TO CLEARTHE EDGES OF COLOURED FORMS UPON DIFFER-ENT COLOURED GROUNDS. CLEARING COLOURED FORMSant in a printed textile, where the colours usedare full and rich, often has a good…
Drawing · Decoration and ornament
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