Crane, Walter, 1845-1915 · London : G. Bell · leaf 86
BRUSH FORMS. aim, and to produce a sort of crumbling line whenhalf dry, and also in colour-work for what is calleddragging, by which tone, texture, or quality may 66 BRUSH-WORK be given to parts of a drawing. One should neverlose sight, in using the brush as a drawing tool, of … BRUSH-WORK The direct touch with the full brush—to culti-vate this is of enormous advantage to all artists,whatever particular line of art they may follow,since it may be said to be of no less value in designthan it is in painting pure and simple. We can allfeel the charm of the broad brush washes…
Drawing · Decoration and ornament
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
