Manet and the French impressionists: Pissarro--Claude Monet--Sisley--Renoir--Berthe Morisot--Cézanne--Guillaumin (1910)
Duret, Théodore, 1838-1927, Flitch, J. E. Crawford (John Ernest Crawford), tr · Philadelphia : J. B. Lippincott company · leaf 102
him-self into notoriety, and that sooner or later he would adopt theordinary, conventional rules like everybody else. In Le BonBock they detected the signs of the change which they had pre-dicted, and the picture pleased them all the more in that it borewitness to their own sagacity. Of course this… … LE BON NOCK MANET LE BON BOCK 65 met with a more favourable reception than any of his other works.He had no idea that his picture would be remarked for its suavityof handling, or that it would please because of a supposed dis-similarity from his usual manner. Its success always remaineda mystery to…
