Manual of Egyptian archæology and guide to the study of antiquities in Egypt. For the use of students and travellers (1914)
Maspero, G. (Gaston), 1846-1916, Johns, Agnes Sophia Griffith, 1859- · New York : G.P. Putnam's Sons; London, H. Grevel and Co. · leaf 286
expression of the face isadmirably rendered. The conventions are the sameas in other royal statues ; the pediment is there, andthe full-face pose is unaltered. The political and religious reaction that followedthis reign arrested this development of art, and theTheban school was once more… … Fig-. 214.—Statuette in painted limestone of Akhenatcn.Deutscli - Orient. Gtsellschoft. 26o PAINTING AND SCULPTURE. end.* Its influence, moreover, made itself felt underHoremheb, under Seti I., and even under Rameses II.If during more than a century Theban art remainedfree, graceful, and refined,…
Art
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