The meaning of art, its nature, rôle, and value (1913)
Gaultier, Paul, b. 1872, Baldwin, H., Baldwin, E. · London, G. Allen & Company ltd. · leaf 288
technique, which cannot be neglected ; fornowhere, least of all in art, can we, withoutdefeating our end, scorn the means by whichwe attain it. The emotion which stands betweenthe artist and the spectator has the more import-ance, as it is charged with translating beauty,with mediating the emotion,… … ■;-r o «N a; .O *U .<; V h ■5 c u in (/] u z c < 0 > — < 0 X 41 u V w .— Q 4J u c/: lii V •a D 42 0. 0 w - c THE CRITICISM OF ART 201 necessary that the execution be true to the aestheticemotion, and adequate to express in its integrityand complexity that which it reveals. Althoughit…
Art · Aesthetics
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