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Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)

Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 116

An illustration from Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350, 1904, leaf 116
is like that of the Ravenna ivory throne.Compare the great triapsidal triclinium of the Palace ofConstantinople and also the triclinium of Leo in theVatican with the great hall here. The plan of the Romanpalace at Treves given by Dehio may also be comparedwith Mashita. Recent excavations have shown… … O < O O H < Oh Z u D U << CHAPTER III LATER BYZANTINE, AND ROMANESQUE ORIGINS In the West, as we shall show in this chapter, Byzan-tine influence was widely distributed, and led up to a newepoch of art which may be said to have appeared aboutthe year looo. After the campaign of…

Art, Medieval

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