Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)
Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 140
the arms beingterminated by apses opening N. and S., the great apse beingof the transverse triple arrangement shown in Fig. 6. Much has been said as to a late development of cruciformchurches, but I cannot find any arguments which showmore than the fact that the exact late conditions areonly found… … FiG, 44. Plan ofchurch at DocleaMontenegro, c. sixthcentury. 84 CROSS CHURCHES mations made wholly in England; and Prof. BaldwinBrown, following the same lead, writes that the earlyGreek cross-plan is not in the direct line of developmentwhich ultimately produced the Latin cross-plan of…
Art, Medieval
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![An illustration from Catalogue des monuments et inscriptions de l'Égypte antique / publié sous les auspices de S.A. Abbas II Helmi par la direction générale du Service des antiquités [de l'Égypte] ; par J. de Morgan, U. Bouriant, G. Legrain, G. Jéquier, A. Barsanti (1894)](https://img.insideoutlibrary.com/img/200/ia-cataloguedesmonu22egyp-55-102.webp)
