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Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)

Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 180

An illustration from Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350, 1904, leaf 180
Fig. 57. Figure in mosaic from the apseof St. Ambrogio, Milan. X … oo < oo l-H w EARLY RIBBED-VAULTS iii seems that, on the evidence, we are compelled to supposethat Sanf Ambrogio derived its scheme of constructionfrom Normandy. It may be that the origin of the ogivalvault is to be sought for in Normandy, or even inEngland; but there are many reasons for…

Art, Medieval

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