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Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)

Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 188

An illustration from Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350, 1904, leaf 188
e point out that the decorative use of mosaic atPisa and the marble inlays of Florence and Lucca may betraced back to Byzantine originals. The bronze gates of St. PauPs outside the Walls, madein Constantinople by Staurachios in 1070, still remain amemorial of the artistic suzerainty of the Greeks… … SICILY. CLOISTER OF MONREALE Face p. ii6 t SICILY 117 that of Sicily under the Normans. The Saracens heldSicily from the ninth century until Counts Robert andRoger won it for their own, and during this time there wassuch an immigration of Greeks as to amount to sl secondHellenisation of South…

Art, Medieval

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