Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)
Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 206
the massing ofparts; but in detail a little dry, and lacking in sculpture. The harshness of style was doubtless entirely modifiedby extensive schemes of painting (for example the splendidceiling at Hildesheim), and by many noble bronze furnish-ings—light coronae, vessels, and doors. The Romanesque… … COLOGNE. CHURCH OF THE APOSTLES Face p. 128 I J- SEA-BORNE BYZANTINE 129 Lombard and Rhenish influence is evident in manycentres of early French Romanesque. In the South-westof France in the eleventh century there was a schoolwhich definitely followed oriental models, doubtlessdirectly derived from…
Art, Medieval
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