Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)
Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 235
and Tournay. The use of circular-ended transepts continued in the North of France until thebeginning of the thirteenth century, when was built theremarkable Cistercian abbey of Chaalis, with radiatingchapels opening from the apsidal transepts. {See Fig. 63.) ISO GERMAN INFLUENCE At Laon, although… … f Fig. 63. Plan of church of Cistercian abbey of Chaalis, near Senlis, tional height and importance, which almost seem like amodification of the apsidal transepts of Tournay.* Another sign of German influence appears in the four-gabled towers in the neighbourhood of Soissons. The * The little early…
Art, Medieval
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