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Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)

Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 260

An illustration from Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350, 1904, leaf 260
s, ^^^ly traceried windows, c. , . ,1 . . 1 n 1220, Amiens Cathedral. begun m 1220, the principle 01 subdivision is carried a step farther, and we get large four-light windows of bar-tracery all cusped in the circles.Windows such as these were used in the Chapter-house atWestminster, begun in 1245.… … * See the west window of St. Nicaise, V. le D., vol. viii. p. 60, andthe four-light windows at St. Denis, vol. v. p. 394. 174 GREAT ROSES lancets were merged into one glorious traceried window likethe north window of Amiens. Perfected windows, with the tracery filling the arched

Art, Medieval

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