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Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)

Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 276

An illustration from Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350, 1904, leaf 276
d ofthese the Chalons church, with its two western leadedspires and rose-window, is the most complete; while thescheme of Chartres must have been the most stately andfurthest advanced of its age (Fig. 91). Laon, Paris, andMantes are a linked group built, or begun, about 1200. Ofthese Laon was the… … 00 >o h ^^Q O HI—I-^ l-H D W h < Q W h<u O DO M-i< h WEST FRONTS 185 allows us to gain some impression of what was aimed at inall these fac^^ades. When complete it would have risennearly three squares high. The lowest square is occupiedby the sculptured doors with the rose and two…

Art, Medieval

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