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Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)

Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 282

An illustration from Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350, 1904, leaf 282
ms of local andmomentary meaning, and was at times even morbid andhysterical. It is, however, just these special Gothic *forms, never properly apprehended, as copying themproved, which made the stock-in-trade of those whoprofessed to supply modern Gothic art. Organic Gothic, let me repeat, must… … STRASBOURG CATHEDRAL. PART OF WEST FRONT Face f, i88 EXPRESSION FORMS 189 called over-Gothic, but the question is everywhere obscuredat any given time by the inheritance of decorativefeatures,** that is, expression-forms, from the art whichwent before it. Arches built in orders had bead mouldings…

Art, Medieval

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