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Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)

Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 38

An illustration from Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350, 1904, leaf 38
e with it. Gothic art, however, as it pro-gressed broke away more and more from the body ofancient customs. The history of art between the Byzantineera and the present day, as can be seen with least con-fusion in the comparatively free arts of painting andsculpture, is the history of a transition… … Bonfils TILMPLE OF BAALBEC. CEILING OF PORTICO [See ^p. 15) Face i). 8 CHAPTER I THE AGE OF CONSTANTINE: ROME AND THE EAST The mighty Empire of Rome at the time when ourinquiry begins was already showing signs of breaking upinto three main divisions—the East, where the empirewas continued for more…

Art, Medieval

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