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Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)

Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 408

An illustration from Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350, 1904, leaf 408
r is only about two feet below thenave level; the crypt is vaulted on ogives, but the curva-ture being very flat the centre is sustained by a columnwhich rests on a figure seated on a lion; a composition soidentical with pillars at the entrance to the crypt atModena that they are almost certainly… … Fig. 120. Coire Cathedral; early altar front of marble. and the capitals are rudely carved. The plan is almostexactly like that of Zurich Cathedral, comprising a short-aisled nave, a square raised choir, and a small squarepresbytery to the east. In Zurich, however, the aisle hastwo compartments to…

Art, Medieval

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