Modern paintings as seen and described by great writers (1911)
Singleton, Esther, d. 1930, compiler, editor · New York : Dodd, Mead & Company · leaf 206
he insufficiency of his early studies.Besides, if we may credit one of his fellow students whoworked with him in the studio together with Pils, who wasthen painting the Passage of the Alma, it must be noted thatFromentin painted the horse much oftener and better frommemory, or from intuition, I was… … La Chasse au Faucon LA CHASSE ATJ FATJCON 151 His intimate outpourings and his letters often show traces ofthis. He was bitterly irritated with the obstacles which heencountered in that more than in any other direction. Asa proof I will quote from only one letter written from LaRochelle in…
Painting
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