Modern pen drawings: European and American; (1901)
Holme, Charles, 1848-1923 · London, New York [etc.] Offices of 'The Studio' · leaf 20
ctionwith the original. And yet, although the secondary character of thewood-engravers art is a very simple proposition, marking a momentof compromise, we had grown so accustomed to it that it had cometo be recognised as the ultimate, nay, the necessary, mode of thedraughtsmans expression in print.… … B* British Tour de PHorloge, Vire BERNARD PARTRIDGE 13 British that, it must frankly be admitted that his work, however good initself, and however well reproduced, sometimes suffered in the earlierhistory of process work, from the inability of the printer to ac-commodate to himself the new medium,…
Drawing · Pen drawing
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