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The monuments of Christian Rome from Constantine to the renaissance (1908)

Frothingham, Arthur L. (Arthur Lincoln), 1859-1923 · New York, The Macmillan Company · leaf 174

An illustration from The monuments of Christian Rome from Constantine to the renaissance, 1908, leaf 174
s. BASILICAS 163 along the edge and across the base of the gable, of the usualline of cuneiform bricks placed diagonally and by a slightstone cornice. But in the more important churches the entiresurface was concealed by a mosaic composition extending fromsummit to portico, several of which are… … )! S. Siib;i, by Jacobo di Lorenzo. (C. I.IKI.) of color. Still, toward the close of the Middle Ages more win-dows were sometimes opened in the facade. At 8. Peter inthe thirteenth century, beside the wheel-window in the gable,there were two rows of three tall mullioned windows, the lowerrow being…

Art -- Rome · Christian art and symbolism

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