The monuments of Christian Rome from Constantine to the renaissance (1908)
Frothingham, Arthur L. (Arthur Lincoln), 1859-1923 · New York, The Macmillan Company · leaf 194
relief to the plain, unadorned brick surface wasthe frieze of bricks in the form of pointed ovoids and the rowof consols or brackets of stone often carved, as at S. Martino(sixth century) and S. Bartolommeo (eleventh century). One sporadic attempt at least was made to relieve thismonotony. It was… … !,■ . ^ 7 ■ =. . ^i ll -1 • . ■ ■--. k- :\ l!lli,.. V ,-- in^jL iiil!lillli,iilllill;,„„. .;i ■.i.i ■•■V C4 I <l L I »li::.llliiulillllilMilh»lnil Altar and Confessio of S. Giorgio in Velabro. (Seventh to twelfth centuries.) Principal Existing Basilicas. — The churches have been innearly every…
Art -- Rome · Christian art and symbolism
Internet Archive · New York Public Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from The gentlemens or builders companion : containing variety of usefull designs for doors, gateways, peers, pavilions, temples, chimney-pieces, slab tables, pier glasses, or tabernacle frames, ceiling peices [sic] &c. (1739)](https://img.insideoutlibrary.com/img/200/ia-gentlemensorbuil00jone-34-18.webp)
