The monuments of Christian Rome from Constantine to the renaissance (1908)
Frothingham, Arthur L. (Arthur Lincoln), 1859-1923 · New York, The Macmillan Company · leaf 300
s certainlya continuous interac-tion between the twoarts during this period.The mosaicists of John VII borrowed from wall-painting theirlight tones and sketchiness. In turn the heavy outlines whichthey were obliged to use in consequence in order to accentuatetheir rather substanceless figures, were… … Saint from Apse of Lower Church, S. Saba.(Sixth to seventh centuries.) 290 CLASSIFICATIOX OF THE MOXUMEXTS Oriental eremites. At the same time the advantage is entirelywith the fresco-painter. For a real understanding of the possibilities of fresco-paint-ing at this time we must study those at S.…
Art -- Rome · Christian art and symbolism
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