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Mural painting in America; the Scammon lectures, delivered before the Art institute of Chicago, March, 1912, and since greatly enlarged, by Edwin Howland Blashfield; (1913)

Blashfield, Edwin Howland, 1848-1936 · New York, C. Scribner's sons · leaf 220

An illustration from Mural painting in America; the Scammon lectures, delivered before the Art institute of Chicago, March, 1912, and since greatly enlarged, by Edwin Howland Blashfield;, 1913, leaf 220
rparagraph) for not dividing decorative responsibil-ity. In the great room which we have discussed thearchitect pays to Painter so much for his panel,to Gilder so much for the general decoration. Thepanel occupies the principal place in the room, butthere are plain spaces of wall which Painter… … •Is g■^ i: 2 ~ s^-a ■- r : u c MUTUALITY OF MURAL PAINTERS 153 the whole a richer, completer, and more significantensemble. Now if the whole sum allotted to Painterand Gilder were so much, and if the entire sum werepaid to one of the two as controller—to Painter, forinstance—he could at once…

Mural painting and decoration · Painting

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