Wells, Samuel R. (Samuel Roberts), 1820-1875 · New York, Fowler and Wells · leaf 657
ch is from Sir Charles Bells Anat-omy of Expression, the fear is mingled with wonder, and the 28 650 EXERCISES IN EXPRESSION imagination is busy with some distant but approaching objectof terror. Fear is an essentially mean feeling, and there can be no dig-nity in its expression. The eyeball is… … Fig. 964.—Wonder and Terror. cheeks are hollow, the aspect pale, and the hair lifted by thecreeping of the skin and the action of the occipito-frontcdismuscle stands erect, ^is the object of fear approaches, hetrembles, turns pale, has a cold sweat on his face, and in pro-portion as the imagination…
Physiognomy · Phrenology
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