Nuremberg and its art to the end of the 18th century. (1905)
Rée, Paul Johannes, b. 1858, Palmer, G. H. (George Henry), b. 1871, tr · London : H. Grevel & Co. ; New York : C. Scribner's Sons; [etc., etc.] · leaf 158
In direct contrast to the richness of the picture offered by the developmentof the technical arts, in the course of the 16^ century, was the dry and unpro-ductive outlook in the monumental arts. In painting, the influence of the Italiansand of the Netherlanders who imitated them became strong-er… … Fig. 105. Panelling and door in the Pellerhaus.From Niirnberger Motive, edited by W. Biede. portrait painting. The cleverest representative of the art was Nicholas Neu-chatel w^ho came to Nuremberg from the Netherlands. The Nurembergersturned his name into Lucidel, — Nutzschidell being the…
Art
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