On the philosophy of painting: a theoretical and practical treatise.. (1849)
Twining, Henry · London : Longman, Brown, Green, and Longmans · leaf 297
ithout connection, without object,and without any apparent cause for its peculiar hue, itwill appear false ; but when opposed by others of equalstrength, it ceases to have an exaggerated appearance,and that balance of colour is re-established, upon whichthe harmony of nature depends. A dash of…
Painting · Aesthetics · Perspective
Internet Archive · California Digital Library · Public Domain Mark 1.0. Free to use for anything.
