On the philosophy of painting: a theoretical and practical treatise.. (1849)
Twining, Henry · London, Longman, Brown, Green, and Longmans · leaf 230
tribution of the light,may either be rendered partial, or be made to pervadethe whole scene, become the means of a variety andpower in the imitation of nature, of which, transpa-rencies, as well as luminous beams projected through amisty atmosphere, further extend the resources. Neitherthe merit… … \ \ \ CHIARO-SCURO. 189 been, as yet, duly appreciated ; though from the livelyimpression which such scenic effects are calculated toexercise on the imagination, as well as from their po-pular character, such exhibitions are particularly calcu-lated to exercise a favourable influence on our…
Painting · Aesthetics · Perspective
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