On the philosophy of painting: a theoretical and practical treatise.. (1849)
Twining, Henry · London, Longman, Brown, Green, and Longmans · leaf 297
ut connection, without object,and without any apparent cause for its peculiar hue, itwill appear false ; but when opposed by others of equalstrength, it ceases to have an exaggerated appearance,and that balance of colour is re-established, upon whichthe harmony of nature depends. A dash of colour,… … IN PAINTING. 251 character. Perhaps it will be found impossible to givethe glow of the sky a degree of brilliancy correspondingto the effect so strongly indicated on the building ; inwhich case, it may be concealed by some interveningobject, and other means may be adopted to point out thenature of…
Painting · Aesthetics · Perspective
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