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On the theory and practice of art-enamelling upon metals (1899)

Cunynghame, Henry H. (Henry Hardinge), Sir, 1848-1935 · Westminster : A. Constable & Co. · leaf 42

An illustration from On the theory and practice of art-enamelling upon metals, 1899, leaf 42
sionof the faces, and the skill with which his simplecolours are contrasted and united. The gold alsogives delicacy and richness, and as the designs areusually taken from the very best work of the greatFlemish masters, the composition is generally ex-cellent. His most famous successor was Jean. It… … Triptych Centre Panel, by Nardon Penicaud, in theSouth Kensington Museum. INTRODUCTION he used the same colours. The general tone of hiswork is no longer blue, as in the case of Nardon, buta more natural combination of various colours tendingto a rather excessive use of a brownish yellow, a…

Enamel and enameling

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