On the theory and practice of art-enamelling upon metals (1899)
Cunynghame, Henry H. (Henry Hardinge), Sir, 1848-1935 · Westminster : A. Constable & Co. · leaf 46
, the artist who compares one of his ownattempts with the beautiful work of Penicaud will beobliged to admit that the fault lies in himself, notin the materials. There were no doubt contemporaryartists whose names have not come down to us,and who followed their style, but in a very inferiormanner.… … One Wing of a Triptych, 16th century, inthe possession of Mr. Morland. INTRODUCTION of one tint upon a different one, as blue upon violet.They also unduly introduced yellow, much to thedisadvantage of the effect. The specimens of early Italian enamel that remainare so rare as to be incapable of…
Enamel and enameling
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