Painting illustrated in three diallogues, containing some choice observations upon the art. Together with the Lives of the most eminent painters, from Cimabue, to the time of Raphael and Michael Angelo. With an explanation of the difficult terms (1685)

Aglionby, William, d. 1705, Dibner, Bern donor, Vasari, Giorgio, 1511-1574 Lives of the most eminent painters · London, Printed by J. Gain for the author, sold by W. Kettilby · leaf 10

An illustration from Painting illustrated in three diallogues, containing some choice observations upon the art. Together with the Lives of the most eminent painters, from Cimabue, to the time of Raphael and Michael Angelo. With an explanation of the difficult terms, 1685, leaf 10 — THE EPISTLE DEDICATORY M Y L O R D, HE Liberal ARTS (amongji which, with theGvc^k.sand Romans,I place Painting) do fonaturally depend upon theCountenance ofGreatMeUythat without their Prote^ion, theyfeldom takeRoot enou^ to defend themfekes againjt Envy … The Epiftle Dedicatory, Envy ^/?i IgnQrafice^Zs^r, on tbf otherfide, does Greatnefs it felf, though never foLuxuriant, either fit Eafie in its prefent EnjoymentSy or live Kindly in the Memory ofFojlerity, without thofe Ornaments of its Fow-er, the Arts and Sciences. But this AH-ana of Knowledge and…

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Painting illustrated in three diallogues, containing some choice observations upon the art. Together with the Lives of the most eminent painters, from Cimabue, to the time of Raphael and Michael Angelo. With an explanation of the difficult terms (1685)

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