Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)
Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 103
esare many and di-vers, and the wholeshapes are compara-tively irregular. Infact, as a rule, we canrecognize at once,upon glancing atshapes thus drawn,whether a man hasmade them withoutthought or with it;or whether his emo-tions have been ina state of restfulnessor excitement.Now let us take a… … FIQ. 26.—FIGURE FROM NAUSICA. E. J. POYNTER.See pages 61, 72, 129, 130, 133. GRADATION IN THE OUTLINES OF SHAPES. 6l in the sense of being spontaneous and unconscious, be-cause uninfluenced or unimpeded by conditions that comefrom without, his gait, postures, and gestures all tend toassume the…
Art · Aesthetics
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