Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)
Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 160
y emotive)1; this is the distinctivemark of goodness, we may therefore call these the senti-mental mouths (see Figs. 59 and 60, page 109). (2) Themouths in which both lips project equally (notice thatthis effect approaches that of a perpendicular straightline (see page 66, also Fig. 64); they are… … FIG. 64— ALBERT BARNES.See pages 115, 117, 118, 124, 182. 118 PAINTING, SCULPTURE, AND ARCHITECTURE. pressive of the physical nature (Figs. 50 and 51, page 99).These may be called irritable mouths. Mantegazzascriticism here brings out more clearly the correspondencebetween this last condition and…
Art · Aesthetics
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