Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)
Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 164
ht together, which themselves too are notrounded but have edged sides, knotted joints, and some-what flattened ends, belongs to the nervous man, the man ofbrilliant mentality, quick to perceive, interpret, and ren-der intelligible the general features of that which is pre-sented (see Fig. 66). The… … 122 PAINTING, SCULPTURE, AND ARCHITECTURE. man given to details, the man persistent in dealing withsmall minutiae, either of thoughts or of things, never tiredof picking them out and polishing and putting them intotheir proper places, the man who in this sense shows greatmotive power, activity, and…
Art · Aesthetics
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