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Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)

Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 172

An illustration from Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics, 1895, leaf 172
at he is contemplating, his hand,in accordance with the principle unfolded on pages 118 and142, will move toward the chin as in Fig. 69; if ofemotion, it will move toward the nose, as in the bendingfigure to the left in The Woman Taken in Adultery,Fig. 80, page 139 ; and if it be of thought, his… … FIQ. 69. —REFLECTION. See pages 129, 142,156, 162. 130 PAINTING, SCULPTURE, AND ARCHlTECTURE. a combination of the other two. In the degree in whichthe instinctive or unconscious tendency of this combina-tion is in excess, there are usually upward (Fig. 26, page60), and then, to prepare for more of…

Art · Aesthetics

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