Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)
Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 172
at he is contemplating, his hand,in accordance with the principle unfolded on pages 118 and142, will move toward the chin as in Fig. 69; if ofemotion, it will move toward the nose, as in the bendingfigure to the left in The Woman Taken in Adultery,Fig. 80, page 139 ; and if it be of thought, his… … FIQ. 69. —REFLECTION. See pages 129, 142,156, 162. 130 PAINTING, SCULPTURE, AND ARCHlTECTURE. a combination of the other two. In the degree in whichthe instinctive or unconscious tendency of this combina-tion is in excess, there are usually upward (Fig. 26, page60), and then, to prepare for more of…
Art · Aesthetics
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