Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)
Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 200
e cannot doubt that this is precisely what it doesrepresent. There are two forms of it, namely, the closing,in which the palm is averted, i. e.y turned away from thebody, where the speaker cannot see it, as in Figs. 95,page 157, 71, 72> Page x32> and 75, page 134; and theopening, in which the… … FIQ. 95.—CAIN, BY GIOVANNI DUPRE.Seepages 156, 158, 174, 281. 158 PAINTING, SCULPTURE, AND ARCHITECTURE. ward, as if to keep all external things or thoughtsfrom touching or influencing the one who is gesturing.It seems to close all channels of communication betweenhim and the outside world. Notice…
Art · Aesthetics
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