Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)
Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 216
ideward as well as forward, with the eyes downward,indicates a sympathetic bias. But whether this bias be infavor of a man or against him—especially as the eyes arenot always visible—must be made out from the facial ex-pression. Thus the face of the John, in Fig. 92, page 1 50,indicates love… … FIQ. 105—CONFIDENCE. 174 PAINTING, SCULPTURE, AND ARCHITECTURE. woman in Fig. 80, page 159, expresses confidence in theChrist, together with a consciousness of shame in view ofconduct which, as it was under her control, she mighthave avoided. If, with the head still thrust forward, the eyes look…
Art · Aesthetics
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