Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)
Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 220
FIG. 112— UNCONVINCED ATTENTION.See pages 167, 169, 175,176,178, 185. FIG. 113.—DESPAIR.See pages 175, 185. which the eyes gaze directly at those in front, or at oneside, they indicate that this opinion is held by personsin some regards on a social, intellectual, or moral level REP RE SEN TA TION… … FIG. 114.UNCONFIDINQ PRIDE See pages 167, 176 See pages 177, 185. FIQ. 111SATISFIED CONFIDENCE. See page 177. (Fig. 103, page 171), or, if accompanied by a sneer, anegotistic or contemptuous mood (see the man at the rightin Fig. 29, page 63), or, if accompanied by a troubledlook, an aggrieved or…
Art · Aesthetics
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![An illustration from XIXe [i.e. Dix-neuvième] siècle (en France); classes - moeurs - usages - costumes - inventions. Ouvrage illustré d'un front. chromotypographique, de 16 planches coloriées aux patrons, de 36 entetes et lettres ornées et de 487 gravures (dont 24 tirées hors texte) d'après les principaux artistes du siècle (1893)](https://img.insideoutlibrary.com/img/200/ia-xixeiedixneuvi00granuoft-225-133.webp)